Let us firstly examine what constitutes as music. Without entering into the realms of a Thesis, I feel it can be taken as reasonably accurate that music, of whatever genre, is constructed from melody, harmony and rhythm.
Innovations in music are nothing new. Mozart intoduced the clarinet in to the Classical orchestra, Beethoven introduced the Trombone in to the Symphony, Wagner extended the ideas of Liszt that chords should not resolve with immediacy, and thus created a musical debate that continues to this day. Schoenberg dispensed with tonality completely, whilst his pupils, primariliy Berg and Webern, sought ways of getting tonality back into music without it being too obvious. Pierre Boulez, Karlheinz Stockhausen and Luigi Dallapiccola developed the idea of Schoenberg to the extent of creating excellent music out of nuances of indeterminate chordal and linear equations, that can, however, be deciphered by the aware cognoscenti.
Currently, Harrison Birtwistle is completing this process, to great effect. The use of electronic media was pioneered by these avant-garde artists - the fades, electronic repetitions, and the programmed juxtaposition of the three elements of melody, harmony and counterpoint by electronic means, well predates the atrocities of drum and bass.
The innovation that could most radically change the face of music in the next ten years would be the uttermost rejection by the consumer of the so-called 'pop' (vide popular) sub-culture. This sub-culture, aimed and targeted in particular, to those who do not have the maturity to judge anything,including their own immaturity, by marketeers who purposively pander to adolescent angst by producing material that appeals only to the most primitive instincts, is currently causing serious rifts in society between those who value tranquility and those who, in pursuance of their own immaturity, seek to destroy peace. Posit it as you will, excuse it as you want, the marketing of music destroys both musicianship and musical appreciation, and its exploitation as a marketable commodity derides the Art in totum. The destruction of industry-led 'pop' musical 'culture' could be the best innovation since Milton Babbitt used the computer to generate sound, long before either of us were born.
Source(s):
I'm a musicologist.
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